Tuesday, 6 December 2016

FILM big row over Barbie movie casting

Amy Schumer says trolls' backlash over Barbie casting shows she’s right for role https://www.theguardian.com/culture/2016/dec/07/amy-schumer-says-trolls-backlash-over-barbie-casting-shows-shes-right-for-role?CMP=Share_AndroidApp_Blogger

Wednesday, 3 August 2016

Mind the gender Gap: ad sparks fury

A point we'll raise frequently in Media is how gender is socialised or encoded from birth, with established commercial, retail logic and expected behaviour and aspirations signified through the prevailing binary of toys and clothing.

This Gap ad is an especially clear example of this, putting the future scholar (boy) in an Einstein tee-shirt but the 'social butterfly' (girl, presumably aspiring to become reality TV or gossip mag fodder) in a showy splash of pink...

How a sexist T-shirt harms us all http://www.theguardian.com/commentisfree/2016/aug/02/gap-advert-sexist-t-shirt-harms-us-all-boys-girls-distorted-reality?CMP=Share_AndroidApp_Blogger

Thursday, 23 June 2016

Ad enough of stereotyping women

Eleven women in adverts who are past their sell-by date http://gu.com/p/4mhg2?CMP=Share_AndroidApp_Blogger

Monday, 9 May 2016

Photographer depicts impact of male gaze in daily life

The photographer's work, Boundaries, is edgy material; relevant to but not suitable for younger teens. For A-Level or Year11 students, especially if also studying Art, this could be an interesting reference to widen the filmic or other mass media textual analysis you undertake.

http://www.filmsforaction.org/articles/photo-series-depicts-womens-experience-of-male-entitlement/

Thursday, 21 April 2016

Agents of SHIELD clip

From S02 E18

Here's a starter to get you going with analysis; you can use the additional screenshots (or your own) to continue analysing the use of media language (how meaning has been created) in this scene, referencing sound, editing, camera, miss-en-scene...



OPENING SHOT

There are mixed messages from the framing and mise-en-scene here. The framing carries connotations of a peephole, a classic horror or voyeurism signifier (seen in Hitchcock's 1960 classic Psycho for example). The two shot might connote a bond, perhaps romantic, between the two seated, and the wood cabin could be 'read' (using Stuart Hall's term) as relaxed and romantic. The voyeuristic framing and shadow suggest otherwise though, and, despite the relaxing diegetic ambient sound of birds cheeping, the large room and high windows could be read as ominous, making the characters vulnerable.

THE 2ND, PANNING SHOT
Rather than cut from the opening long two shot to a tighter two shot to reinforce any sense of a bond between the two we get a panning shot instead, which seems to signify the distance or difference between the two rather than closeness of similarity, although the dialogue through most of this scene presents a very different reading. It is notable that we do not see the man in this pan, just his arm as he plays a move, but we do get a medium shot of the young woman, suggesting that she is a more important character or protagonist than him.

The backgammon set is a clever device to connote the competition or even battle between these two; despite the appearance of bonding and dialogue to support this, the editing and framing throughout this scene, which mostly relies on shot reverse shot with medium shots or medium close-ups (avoiding two shots) connotes a sophisticated battle between the two. A Ludo set or some other more childish game would not have carried such connotations, but backgammon is a sophisticated game more likely to be played by intelligent adults.



So...take up the analysis from here. I have provided screenshots in narrative order below, but that does not mean you have to analyse these in narrative order - you may wish to consider editing across several scenes, then sound (etc) for example.

Several more shot reverse shot, then, with the male saying "you're about a million miles away" we get a two shot:

Representation: mix of normative and counter typical elements for woman? Conventional male - designer stubble significant? Jumper? Short hair? Tight MCU when he says "dinner with my parents can stress me out too", denoting young starting point of target audience? [uses and gratifications: identify with, aspirational]


Two shot returns with "I'm sure he was going to have some twisted surprise" (dialogue suggesting a foreshadowing? setting up narrative enigma if we think so)

Sad music flares up: "he doesn't exactly belong here" says man ... but emotion is not his... Consider his framing and compare with woman's: light v dark?
Unbuttoned top...


Woman: "its nice having someone normal to talk to"; man laughs; then this:
Visual pun: "you hit me!" then cut to boxing - consider framing of blond woman...


Several tightly framed shots then...
Intriguing representation issues - do compare their outfits for one ...

Verisimilitude? Clearer costume shot. Uses and gratifications in less muscular woman winning? "Its not like I can benchpress a small hatchback" ... stereotyping...?


Costume design + representation issues clearer now?

There's quite a lot going on here...
Wow, makeup perfect...

Music building tension...
Dialogue and music designed to work with cut to new scene. Consider verisimilitude (genre signifiers?) and miss-en-scene generally; a binary pair (e.g. look carefully at hair - small details...)? Is there a masculine role here?




...



Friday, 15 April 2016

Friday, 8 April 2016

Semiotics of the mini skirt over history

NB: the article contains some moderate strong language and is an opinion piece, provocatively written.

http://m.mic.com/articles/139429/power-clothes-the-unabashedly-feminist-history-of-the-miniskirt#.3uZ56C2HS

Thursday, 31 March 2016

Women Not Objects campaign

Be aware that the video linked in the article has 1 use of strong language and some disturbing images, as it frankly tackles the social impact of the normative sexualisation of females across our media, not least advertising.

Can such campaigns work? Media content won't be transformed by this, but it will increase awareness of the issue and maybe lead to more single issue campaigns such as the anti-page 3 campaign that has seen topless, often teen, models removed from The S*n, with Murdoch himself tweeting that this was maybe an idea beyond its time.

The difficulty of addressing such issues without being censored by the very same media that are being protested against is notable, with social media offering a distribution outlet independent of the old media giants (all of which are gradually being dwarfed by the new media giants though!)

http://www.collective-evolution.com/2016/03/30/powerful-video-exposes-the-harmful-effects-of-objectifying-women/

(The S*n hasn't exactly gone PC; it recently invited readers to submit cleavage selfies for a boobs of Britain competition. Unilad reported on some of the satirical responses this generated, often men photographing their chests; as with the video, be aware that there are sexualised images, and that comments, as with so much of social media, are often crude. http://www.unilad.co.uk/viral/the-sun-asks-women-for-cleavage-selfies-gets-brilliantly-trolled/)

Wednesday, 16 March 2016

Right hand WOman on TV sofa

BBC Breakfast seating bias due to 'misogyny', says ex-Countryfile host http://gu.com/p/4hty2?CMP=Share_AndroidApp_Blogger

Monday, 25 January 2016

Pink products cost 37% more in UK

...and women's products are priced 7% higher than men's equivalents in the US too...

Women are overcharged every day. Imagine if that happened to men http://gu.com/p/4g45t?CMP=Share_AndroidApp_Blogger